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Numentina: Argentine Patagonia

September 17, 2015

By Darin Wahl

Numentina is a ranch in the Santa Cruz province of Argentine Patagonia.

Numentina sits on the long sloping rise of a hill, barren from afar, but covered in scrub brush, grass, and some very stubborn pampas bushes. "When you get off the bus, head out of town. Veer just right of the road, and walk about 10 miles. You can't miss us." There is no electricity. A wood burning stove. An outhouse. When I wrote to the owners, the first question they asked me was whether I knew how to bake bread. They were French. Bread. We baked it everyday in our wood stove. We'd wake up and make the dough. Knead it at breakfast. Leave it to rise while we worked our morning shift. First, we visited the shed. We collected our tools: axe, pick-axe, and shovel and headed onto the semi enclosed farm area. Long sleeves to protect from wind, bugs, and sun. We'd hack and dig, hack and dig for hours. Lunch. We'd knead our dough. Eat. Drink mate (mah-teh). Then gear up again for more hacking and digging. Once every few days one of us would peel off to the wood pile to chop wood for the stove. We spent countless hours figuring out the irrigation. One small hose with a constant trickle. We dug mini canals with our hands. We used detritus to make sluices. We'd stand back and watch the water flow through our canals, creeping its way in the dry dirt, seeking paths of least resistance. We'd make little mud piles to redirect the flow when the strawberries had enough. It was patient work. Satisfying. Then we'd stand, look up at the uncleared field, grab our picks, find a bush, and swing.

The setting sun signaled the end of our workday. We never tired of sunset over the pampas. There was an old crumbled stone wall we would climb up to watch. Candles were lit. The dough was readied for the oven. The oven was stocked with wood and monitored closely. How hot was hot enough? Some nights we scraped charred crust. Half the bread went straight to the table. The other half we wrapped for breakfast next day. Most nights one of us would pick up a guitar and play softly by candlelight. Before bed we'd wash and lotion our hands carefully. It took three days for my hands to crack and bleed at the joints. Those cracks didn't heal at the farm. 

Once, we climbed up to the top of the mesa beyond the dry lakebed in our front yard to see if we could see a neighbor. We could not.

A neighbor came anyway. 

He rode on horseback two days trailing four dogs. His friends. His only companions.

We invited him in for mate, which he accepted, but before entering he took off his dusty jacket, folded it in half and placed it, and an old six-shooter pistol, on a wicker chair on our porch.

He barely spoke. When did he last speak to another person? And here were foreigners. What did he ride all this way to do?

He left.

He returned a week later. Trailing dogs.

"Hello again," we said, passing the matero. "We were just about to go work the fields, would you like to join us?" And then it happened. A smile swept across his face like wind through the pampas: long in the coming and passing, and irresistible. 

A week later, when el dueño came to check on us, and bring our weekly supplies: flour, butter, onions, a sheep leg, which we hung by the achilles in the bathroom, we asked about the people who live and work this area.

"What do these gauchos do out here?"

"They manage the ranches for the owners. They go out every few weeks or so to check on the herds. They might hunt a fox."

"Do they marry? Do they have families?"

"Not normally. These are very special men. They live their entire lives out here. Alone. Its a dying culture. Before they were honored. It was more noble. Now they quietly live out their lives in isolation. Once every few months they'll go into town for supplies. They might stop at the brothel. Whatever they do, they say very little."

Our neighbor worked with us all afternoon ploughing the fields, clearing the brush, and passing the mate. In the evening, he mounted up and started his long trek home. 

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ITQ

August 29, 2015

By Darin Wahl

Argentina, like many countries of Latin America, went through a time of terror where a dictatorial government pursued and persecuted anything and anyone that was or could be a threat to their regime. In Argentina, these people, these ‘threats,’ were hunted down, interrogated and tortured, and then disappeared. 'Disappeared' here has multiple meanings: they disappeared in the sense that their physical bodies have yet to be found; and they disappeared in the sense that one day they were there, had families, friends, futures, and then, suddenly, they were gone.

'Los Desaparecidos' they are called.

There were many many thousands taken. Poets, authors, activists, artists, professors, students, men, women, all taken, all vanished. What does it do to a country to have a generation plundered so? What does it do to us all? A vague outline of the short lives of some of Los Desaparecidos has come to light. People in cities were abducted and brought, black-bagged, to a holding center. Here, preliminary interrogations took place. Then they were driven out to the countryside to a facility for further interrogations. Pregnant women were sometimes kept relatively healthy until they gave birth. Their babies were then given to a family that could not or did not have children. Given to those loyal to the regime. Then, at the whim of their captors, maybe they were taken, maybe drugged, in a helicopter out over the ocean. Maybe their still-living bodies were dropped from the helicopter into their final abyss.

The mothers of the disappeared would gather at the main plaza in Buenos Aires, where they still gather today, to plea for information. Any information. U2 wrote a song about them.

When I visited one of these holding centers, now a museum, I was surprised at its simplicity and power. While the day rolled along in the bustling city outside of the walls, the quiet inside was heavy. I fell silent, as did other visitors. I imagined if I cried out, no one would hear. There were cells underground. I descended the stairs, my breathing a bit short, not sure what to expect. An empty cell, a concrete floor. This was the room where real, whole people went in and broken shattered ones came out. I ascended. And saw there, on the steps, two index cards, almost accidentally dropped. One said, "aunque no sé donde estas,” the other said, "igual te quiero."

Although I don't know where you are, I love you still.

My friend brought her young son, who slept while we wandered. But when he awoke, he lifted his head and began to cry. Not softly, but red-faced, mouth gaping, tears streaming. His mother unslung her baby backpack, knelt down where she stood, wrapped him in her arms and held him close. She pressed her face to his and whispered soothing words, and the enveloping love of a mother gently overwhelmed his fear and he too fell silent.

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